Blackhawk 235 APPROVAL COVER Production Proof Art 1967 Coffin 12-ct Comic Dillin For Sale -

Blackhawk 235 APPROVAL COVER Production Proof Art 1967 Coffin 12-ct Comic Dillin

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Blackhawk 235 APPROVAL COVER Production Proof Art 1967 Coffin 12-ct Comic Dillin:
$79.95

The Jack Adler Collection Of DC Cover Art!

BLACKHAWK #235 Original Approval Cover. A Blackhawk faces a barrell of a machine-gun, emerging from his coffin!

Dick Dillin Classic!

This series is famous and influential, and lasted for many years from the fifties to the eighties. Expect such material to continue the upward pricing trend!

This great image is classic, and it possesses bright colors that will have you reaching for sunglasses!

This Actual Piece Was Reviewed And Approved By D.C. Comics in 1967.

WITHTHE PRICES FOR PENCILS/INKS SHOOTING THROUGH THE ROOF, SOME FANS ARE LOOKING TO THE NEXT BEST THING, THE SUBSEQUENT STEPS OF THE COVER'S PRODUCTION PROCESS... It doesn't get any more "Blue Chip" than this!

Items like this only surface ONCE. The lucky buyer will be the only one to have this publishers' best-quality version of this famous cover. (We have othercomic-art rarities on currently!) This cover went on to grace a famousvintage comic, ~ Don't miss this once-in-a-lifetime opportunity!

Extremely bright colors and superb gloss. Truly Incredible Eye-appeal: Very High-Quality Paper Was Used. Snow-white whites and colors so brilliant you'll think they're still wet! This is a must-have piece of DC history for any fan of vintagecomic-books and/or uniquesuperhero ephemera, or of original production art tosilver-age comics, or just the serious art fan who likes having true rarities but cannot afford to shell out four-figure$ for the black & white line art of the era!

NOTE: We also have other cover production art from this renowned pedigree,running on now!

Many of you have read about this significant find in C.B.M. and C.B.G. and Alter Ego
(Comic Book Marketplace #85 and Comics Buyer's Guide #'s 1399, 1402, 1414, etc.)
We are secure packagers and prompt shippers so expect to be pleased.

BIO/PROVENANCE: Jack Adler was a comic artist from the golden-age to the copper age, and was DC Comics' premiere colorist from the early '50's through the mid '80's, and was head of the art department for much of his tenure. (Adler has a long history with the "Man Of Steel", as he colored the plates for Action Comics #1, in 1938!) He graduated from high school at the age of fifteen, and quickly got a degree in fine art. He became proficient at sculpting, pencilling, inking, painting, and photography. He pioneered the washtone/graytone effect which became so popular on the DC "Big Five" war titles. Plus, he inked many '50's, '60's, and '70's comic covers as well. Moreover, he also developed the "3-D" process used on the Batman 3-D and Superman 3-D comics in 1953; --so we're talking about a major contributor to DC history.

During the summer of 2004, theliving legend himself, Jack Adler, (thought bysome to have passed away years prior),at the urgings of his kind family, madehis very firstand only public appearance, at the San Diego Comic-Con. He was honored Thursdayafternoonat the ever-popular convention withthe Inkpot AwardFor Excellence for Outstanding Achievement In Comic Art, and a rousing standing ovation from the many onlookers at the panel of Golden-Age and Silver-Age Greats, hosted by Mark Evanier (of course!) Besides just Mr. Adler, other noteworthy members on the entertaining and informative panel were Tom Gill (RIP), plus Jacobson, Colan, Springer, Harrison, and Bolle. On Friday at the Comic Con, there was a one-on-one panel, with just Mark Evanier and Jack Adler, titled "Spotlight On Jack Adler", and many questions were answered for the large crowd of audience members, who were kept entertained by the charismatic and respected living legend. It is amazing how many great names were hired on by him! I also found out that he invented the 3-D image technology popularly used in Viewmasters, but was unable to get the deserved patent, as the film itself had been patented, (but not in a similar 3D format, so he got burned, as viewmaster was able to capitalize freely!) Plus, the method that made integrating photo cover and line-drawn cover art easily into a single cover image was also pioneered by this influential innovator. (The technologywas supposed to be kept a secret, but was leaked immediately by a DC exec!) Julius Shwartz had told him "don't tell me about it, just do it", and when it worked, it worked, and was immediately utilized, as the articulate and charming Adler related. As an accomplished photographer, he created covers using photographs he had taken of his own grandchildren, producing his own copies of Shazam #2 and #6, which were displayed on an overhead projector to the glee of many enthralled listeners! The picture of Captain Marvel, sitting reading to the innocent youths, was actually of Jack Adler reading to his grandkids. (These same grandkids were present at the panel, and turned out to be pleasant, gracious, and kind adults.) Moreover,he highly touted the art skills of good friends Neal Adams and Joe Kubert, (relating entertaining stories, of course!) He helped Kubertset up hisnow legendary SchoolOf Comic Book Art. Once the school was set up, he was supposed to headthe school, but had to backout, as he couldn't bring himself to move to New Jersey. You could write a book on the contributions Mr. Adler has made to the medium many of us know and love.He passed away in 2011 at the age of 93.

Back in the "good ole days", DC normally burned ordiscarded such production art once the comic went to print. Mr. Adler painfully remembers himself and fellow DC artist Jerry Serpi cutting up thousands of pages of original comic line art and production art. He said it broke his heart to destroy all that beautiful artwork; But back then, nobody foresaw the future value of such exclusive pieces of comic-book history. Fortunately, during the period of 1967 to 1974, this award-winning artist pulled aside many prime examples, representing each step of the comic-making process. Nevertheless, there's an extremely small amount of these that were saved, considering the volume that was produced in those days. It is estimated that out of 840,000 pieces created for the production process over that time period, only about 4,000 or so survived, thanks to Jack Adler; ~A miniscule pecentage ofless than one half of onepercent.

This is the actual Approval Cover, (blank on the reverse, unlike cover proofs), for this comic. The editorial and creative staff reviewed it and approved it for use, to make sure there were no errors or needed improvements, before the actual book hit the press.

Provenance: Back in the late eighties, in Texas, Mr. Adler and his grandson sold his entire collection, comprised of the DC Archives of cover production art,in one fell swoop. Then, years later, it changed hands again, with the vast bulk of the load still untouched... Eventually, after lengthy negotiations, a longtime friend and I were able to acquire the whole load, except for the horror, from the Southern California art collector who possessed this landmark find since 1997. The horror genre took me an additional three and a half years of wrangling,but they too are now finding their way into the hands of the true fans, who can preserve and cherish them the right way. For additional information regarding this popular pedigree, check out the lengthy color article on the Adler Collection in the September 2001 issue of Comic Book Marketplace (which is still available in our store) as well asAlter-Ego #56, which has a long interview with Adler, as well as interviews with a few of the many legendary talents he influenced: Neal Adams, Howard Stern, and Joe Kubert. Additional cover art can now be found by checking the other Key Comics items (user ID: keycomics). Buy aggressively, as such items are typically one-of-a-kind, and pre-1975 DC production pieces as a whole are notoriously rare.

A signed & embossed cardstock Certificate Of Authenticity is included, forever guaranteeing the provenance of each piece from this major historic discovery. Approval Covers are brilliant and glossy, (obviously very well preserved), and they are blank on the reverse side, and are slightly larger than comic size; since they were part of the editorial process they can include tack-holes, indentations from a paper clip, staple-holes, chips, tape, pencil notations, tape, and/or edge wear. (This one somehow avoided the visible detractors.) It's agreat looking showpiece, which would be especially impressive framed. All colors are rich and uniform, and extremely bold thoughout! THIS ONE IS IMPECCABLE...-->Please see thelarge image.

As Usual: LOW ASKING PRICE AND !


KEY COMICS is a Power(GOLD)Seller and CBM Market Report Contributor and CGC Member Dealer that has specialized in Mail-Order Comics for over a quarter-century;
Buy with confidence.

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International Customers Welcome.
Please add $8.00 for Securely-Boxed Tracked Priority-Mail in the USA; It is only $16 for fast Air-Mail delivery to the Canada.Buy moreartwork and save on shipping, as extra pieces of production art only add .50 apiece.

KEY COMICS IS ALWAYS DEALING IN COMICS & ART!
('30's to '70's)
Add keycomics to your Saved Sellers list if you collect back-issue comics or artwork!

For more samples from our diverse inventory, including rare Original Comic Line Art, plus superb CGC-GradedComics,and more DC COVER ART from the historic Jack Adler Collection that is listed in assorted categories, please see our store.

Good Luck and Happy Collecting!Buy It Now -- Once it's gone, it's gone...



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